"Bit city...This will be a city unrooted to any definite spot on the surface
of the earth, shaped by connectivity and bandwidth constraints rather than
by accessibility and land values, largely asynchronous in its operation,and
inhabited by disembodied and fragmented subjects who exist as collections
of aliases and agents. Its places will be constructed virtually by software
instead of physically from stones and timbers, and they will be connected
by logical linkages rather than by doors, passageways, and streets." (Mitchell1995:
24)
Spatial configurations function as structural models -- or interfaces--
which allow a networked representation of different media: maps, the imagined
plan of a city or a house are classical places
of information storage.The classical Greek
mnemonics used a house with several rooms to represent a subject of a prepared
discourse or the encyclopedia of Diderot and d'Alembert projects knowledge
on a map to demonstrate the connections between
the different sciences. The new digital environments use and develop these
concepts further. Their encyclopedic character and
their spatial embedding is comparable to their classical precursors. The
metaphorical schemata construct the digital
city in analogy to a traditional city. This reflects the categorizing
of our perceptions, the way we find access
to the world we live in. Imagination and the organization of our memory
defines the concepts we choose and how we compose possible
worlds. Metaphors, which are derived from cultural artifacts such as
buildings or maps, show that culture provides spatial models for metaphoric
schemata.