Sara Suleri's Meatless Days -- Leading Questions
Members of English 171, Sages, Satirists, and New Journalists, Brown University, 2002, 2003, and 2005
[See also questions posed by members of the 1996 class and questions the 1997 class of English 27, Postcolonial Studies.]
- Creating Memories in
Meatless Days - I am Lost, Sara. I am Lost
- If Gol Guppas Were Not Made in Jest, Were They Then Made in Earnest?
- Morsels of Tom in
Meatless Days - Burying the Lede
- Mystery Meat in Sara Suleri's
Meatless Days - Suleri's Pay-Off and Set-Up Anecdotes
- Names
- Sara Suleri's Characterization of Dadi
- Tongues, Meat and Corpses: Fragmentation and Disembodiment in Suleri's
Meatless Days - Two Burning Stories: the role of the body in the first two chapters of
Meatless Days - The Selective Autobiographer in
Meatless Days - Suleri's question to the audience
- A Personal Pakistan
- Weaving a History
- Time May Change Me, But I Can't Change Time: Mutability in Sara Suleri's
Meatless Days - Suleri the Lexicographer
- Suleri's Voices
- Meatless Men in
Meatless Days - Sara Suleri -- Heartless Bitch?
- Romance and Family
- Intimacy and Estrangement in
Meatless Days - Suleri: the new fragrance for women
- Names and Places in
The Crofter and the Laird andMeatless Days - Meat (and other food) in
Meatless Days - Marmalade Squirrels: A Love of Language
- Time and Chronology in
Meatless Days - Suleri's use of time
- Food and Death
- The Metatextual and the Hermeneutic in
Meatless Days - What Suleri Knows of Storytelling
Last modified 5 May 2005