
Sara Suleri -- Imagery, Symbolism, Motif

- Geographical Ontology in Meatless Days
- Chewing Away at Boundaries
- The Chapter "Meatless Days"
- Feminizing Narrative and Landscape: Images of Women in Three Postcolonial Texts
- The Female Landscape
- Imagery of Locked Women
- The Postcolonial Mother Country
- "An Empty Vessel"
- The Joys of Motherhood
- With a First-hand Knowledge of the Country: America and Americans in Meatless Days
- Defying Containment, Deskinning Woman
- Water and Border-Crossing in Suleri: Deconstructing the Idea of Woman
- Tongues, Meat and Corpses: Fragmentation and Disembodiment in Suleri's
Meatless Days - "The World is a Monster": Grotesque Wisdom in Dillard, Suleri and Didion
- Meatless Men in
Meatless Days




Last modified 4 December 2003