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Sara Suleri -- Theme and Subject
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- Geographical Ontology in Meatless Days
- The Chapter "Meatless Days"
- Rushdie and Suleri: Public and Private History in Meatless Days
- Sara Suleri, Salman Rushdie, and Post-Colonialism
- Enabling Opposition and Power Relations in Meatless Days
- Suleri and the Resistance to Definition in Postmodern Writing
- The Postcolonial Woman as a Terminological Problem
- Rape as Metaphor
- Women and Postcoloniality Stripped to the Bone in Meatless Days: An Introduction
- Pakistan's Tumultuous Invention and Grotesque Parables in Meatless Days
- The Intersection of History, Location, Discourse and Womanhood in Meatless Days
- Water and Border-Crossing in Suleri: Deconstructing the Idea of Woman
- Displacement in Shame and Meatless Days
- Names and Naming
- Time May Change Me, But I Can't Change Time: Mutability in Sara Suleri's
Meatless Days - Intimacy and Estrangement in
Meatless Days - "I" Versus "They": The Textual and Communal Self in Sara Suleri's Writings
- Chewing Away at Boundaries
- "The World is a Monster": Grotesque Wisdom in Dillard, Suleri and Didion
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Last modified 18 May 2001